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On pre-Hispanic Amerinds, 6

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Tell me which gods you worship and I’ll tell you who you are.

In another chapter of the book El Sacrificio Humano I’ve been reviewing, Marie Areti-Hers, the author of the article on human sacrifice in the Toltec-Chichimeca culture, says that “to penetrate” into the Mesoamerican world one must take into account the complex statue represented by the last incarnation of that world, the “Summa Theologica locked in the formidable images of Coatlicue” (page 241).

The Spaniards placed Our Lady of Guadalupe, the symbol of Catholic Mexicans, on the Hill of Tepeyac. But what the authorities conceal from the Mexican schoolchildren is that precisely on that hill the Aztecs used to worship their goddess. And what a goddess…!

A picture is worth a thousand words. The below photograph shows a stone representation of almost 9 feet high of the Aztec goddess that you can see at the Museum of Anthropology when you visit Mexico City.

diosa-azteca

The Coatlicue is always represented with a skirt of interwoven snakes (nahuatl: Coatlicue, coatl, snake; cueitl skirt). See her collar consisting of a skull flanked by mutilated hands and hearts; her two large snakes that by kissing each other form a hideous face because the goddess’ children had decapitated her and the original face of the mother is missing. See also the phallic snake hanging between her paws like a third leg, paws which look as claws since, in the Aztec imagery, their favorite deity feeds from corpses. (In Tenochtitlan’s houses there were more figurines of the Coatlicue than of Huitzilopochtli, the male god of the Aztecs.) This goddess that devoured human hearts and blood was also the goddess of fertility and of the sacred earth.

The above image has lost its color. How had the statue made its impact when painted with the most violent colors (see the Aztec Calendar above, also of stone) in the pre-Columbian temple? Her aspect was so terrifying that Amerind women entered the shrine headed down to avoid making eye contact with the monster while offering her beautiful flowers.

And not just flowers… As I say in my book, it was said that to placate such goddess sacrifices of juicy infants were needed.

No wonder why the Spaniards chose the hill of Tonantzin-Coatlicue, which used to house the formidable statue, to impose the image of the Lady of Guadalupe they had copied from the Spanish Virgin with the same name. Most Mexicans ignore that the name of the Lady of Guadalupe derives directly from Extremadura, homeland of many conquistadors including Hernán Cortés himself (info in Spanish including an image of the Spanish Guadalupana: here).

Only with such transposition of deities the Spanish conquerors managed to banish the Aztec cult of the terrible mother…

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1st World War 2nd World War Civil war Enlightenment Feminized western males Francis Parker Yockey French Revolution Friedrich Nietzsche Hegel Italy Jean-Jacques Rousseau Liberalism Niccolò Machiavelli Philosophy of history Women

Liberalism, 3

Imperium Eagle

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Civil war Europe Mexico City Miscegenation New Spain Spain

My “pod” cousin

hispania-serie-de-tv

I am reposting the below entry, originally published on November 20, because for a mysterious reason comments were off below this article and I just discovered it a few minutes ago (maybe the reason why this entry had received zero comments). Did I inadvertently click on a wrong button last month?

At any event, now that I have seen more Spanish television series, I must say that what my “snatched” cousin did in Mexico the Spaniards are doing it too at the other side of the Atlantic. For example in the 2010 series Hispania (article of the Spanish wiki: here) the hero and liberator of some Hispanic towns from the Roman invaders, third guy in the above pic, is not an Aryan; and his daughter, not shown above, looked like an Amerindian child. Keep in mind that these series are supposed to depict the peoples of the Iberian Peninsula in the second century B.C., long before the huge mongrelization after the Moor invasion.

I also watched the 2012 prequel of it (article of the Spanish wiki: here) but I have no more liver left to continue to debunk all these silly series. Better repost about—:



My pod cousin


Gerardo-Tort

Recently I have been complaining about the fact that American films and British and Spanish TV series are mediums for either anti-white propaganda or at least not pro-white messages (with the sole exception of the first episode of The White Queen). A naïve person could think that if I approach, instead, a series directed by one of my cousins the message would be a little more positive.

Gritos de Muerte y Libertad (Screams of Death and Freedom) is a Mexican television series based on the period of the war of independence of Mexico, produced by Leopoldo Gómez and directed by my cousin Gerardo Tort (pic above) and the lesbian Mafer Suárez. Several writers wrote thirteen episodes of the first season of the series advised by a group of historians. The series premiered on August 30, 2010 to mark the bicentenary of the independence of Mexico from Spain and ended on September 16 of that year.

I have already quoted Mexican intellectual José Vasconcelos (1882-1959) in this blog stating that the war of independence was “supposed to destroy the Spaniards, who represented the force and culture of the country… all under the pretext of freeing the Indian.” And two months ago I revealed here some hidden facts about Miguel Hidalgo y Costilla, the father of the Mexican independence.

All 19th century paintings of Hidalgo, like the one you see in the Wikipedia article about him, are fake. All were based on an original portrait of an Aryan man of Austrian origin who posed as Hidalgo because nobody had painted a portrait of the real Hidalgo by the time he was elevated to the status of father of the independence, and the man was long dead and the new nation needed a noble face to honor (just as the Americans have their portraits of George Washington).

Well, original spoken reports describe Hidalgo not like an Aryan but with hooked nose. What does it mean?

That the overwhelming majority of Mexicans ignore that the Catholic priest Hidalgo was probably the son of Jewish conversos. Presently even the Mexican Jews, no longer in the need to hide the Jewishness of their people, have acknowledged it.

Of course: my cousin Gerardo Tort was only a hired hand to direct a script written by others. But since I know him I surmise that he did not object the anti-Spain bias of the script. It is worth mentioning that at the beginning of the century Gerardo Tort had made an “author film” about homeless kids in Mexico City, and later filmed a documentary of his own about a Mexican guerrilla fighter he admires and perfectly fits his lefty ideology. I had not watched the series Gritos de Muerte y Libertad until yesterday [November 19, 2013] but now that I am reviewing other television series I would like to say something about it.

In the first episode one of the pro-Spain characters says these words (in Spanish of course) about the pro-independence movement, “Imagine a government Criollos [ see Criollo people], Indians, Mestizos and Mulattos!”

Yes: thoroughgoing leftists like my cousin know that ultimately the struggle is racial. But race conveniently disappears when Whites claim majority rights—or even minority rights in the case of New Spain. In Gritos de Muerte y Libertad what I found most surreal is that the overwhelming majority of upper class New Spaniards are depicted as Mestizos or Castizos (slightly whiter Mestizos), not even as Harnizos (Iberian whites with a distant drop of Amerind blood) or true Iberian whites. The script that Gerardo Tort directed mentions “Criollos” many times in the textual dialogues, but during the casting he selected Mestizo actors. Phenotypical Criollos do appear in the next episode, but that episode was directed by the lesbian.

gritos-de-muerte-y-libertad

Most surreal of all is that the Aryan-looking actor who was chosen for Hidalgo by both directors, the actor at the far left in the pic, was—not in the series but in real history—a kike with even the prototypical hooked nose, according to the spoken testimony of those who had seen the historical Hidalgo in the flesh. Also, in Gritos de Muerte y Libertad my cousin depicts José de Iturrigaray, the Viceroy of New Spain from 1803 to 1808 (standing in the pic with a ridiculous wig), as an ignoble character; and for María Inés de Jáuregui y Aróstegui, his wife, he chose a Mestiza actress (wasn’t the historical Inés an Iberian White too?).

So you have Gerardo Tort, the phenotypical Criollo, filming the Spanish Viceroy as the bad guy and the kike Hidalgo as the good guy of his movie. This said, I doubt that Gerardo knows that the historical Hidalgo was genetically Jewish. Like all Mexican leftists he is sleeping in a profound Matrix.

In the other episodes of the series that my cousin also directed a dialogue caught my attention. A woman asks Hidalgo: “Removing the command from the Europeans and handing it over—to who?” at the time of delivering a hostile look to a Mexican Indian beside her. Of course: the woman is depicted almost as a bigot.

Gritos de Muerte y Libertad includes explanatory notes to clarify the supposed historical events for the Mexican audience. In one of these texts it is announced that, once in jail and excommunicated by the Catholic Church, Hidalgo actually repented that the mud mobs he had commanded massacred civilians in the Alhóndiga de Granaditas—a ridiculous claim since Hidalgo was very well known for his cri de guerre “¡Viva la Virgen de Guadalupe y mueran los gachupines!” (“Life to the Virgin of Guadalupe and death to the Spaniards!”).

So clearly racial is the script of Gritos de Muerte y Libertad that it includes these words by a fearing Viceroy when Hidalgo’s mud mobs reached the capital of New Spain, “This is the main square of the Spanish crown! And no horde of Zambos [half-breeds of Amerinds and imported Negroes] will claim it ever!” This was the Viceroy who succeeded José de Iturrigaray, but my cousin also puts him under bad light.

In subsequent episodes, Gerardo Tort has Hidalgo incarcerated prior to his shooting after having lost important battles with the troops loyal to Spain. Once again my cousin used a Mestizo actor for the jailer. Hidalgo recounts his adventures to the jailer and is depicted as noble and wise. The jailer even recognizes that Hidalgo “is a good man, a son of God.” At least in that monologue my cousin has Hidalgo recognizing that in Guanajuato his furious mobs killed women and children, but he didn’t dare to film the actual scenes showing the Mexican public that the victims were probably White, and the assassins Indians and Zambos.

Gerardo Tort filmed the platoon that shot Hidalgo, again, as a group of slightly mesticized Indians. I wonder if machines to see the past are ever invented and we could see the historic scene rather as whiter men shooting an obvious kike? But before the shooting Hidalgo delivers candies—yes: candies!—to his executioners and after the shooting one of them is on the verge of tears. How moving.

There are two DVDs in the product Gritos de Muerte y Libertad that I acquired yesterday, the next one dealing with Hidalgo’s successor, the mulatto José María Morelos, who continued the killing of Iberian whites after the death of his mentor. But I don’t have any humor left to watch this second DVD.

A few years ago, here in Mexico City some nacos (insulting pejorative for Indian-looking residents of Mexico City, analogous to what in the US is called “nigger”) assaulted Gerardo’s brother. Curiously, one of Gerardo’s two sisters once told me during a private conversation that the nacos must “have the same rights.”

Yes… all of my relatives are now Pod people. And a worse kind of Pods to boot than the American liberals since among older American folks there is at least the memory of their nation being mostly White. Those who have watched the 1956 film Invasion of the Body Snatchers for instance can see a nice California town populated exclusively by Whites. This was California before Aztlán took over.

Mexico, even since the three centuries when it was known as New Spain, has experienced no less than half a millennium of miscegenation. The remaining Criollo have been so thoroughly indoctrinated through centuries of Christian and liberal propaganda that the sole mention of avoiding intercourse with the mudbloods would be considered a kind of unheard of heresy. I would go as far as claim that after the dollar crashes dragging the Mexican peso with it and after my native town burns, the apocalyptic shock won’t be enough to awaken the remaining Criollos (like Gerardo) from their catatonic sleep.

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Amerindians Child abuse China Hojas Susurrantes (Whispering Leaves - book) Human sacrifice Mayas Neanderthalism Pre-Columbian America Psychohistory Transvaluation of all values Turner Diaries (novel)

On my moral inferiors

Recently a regular visitor let me know by email that he was dismayed because of my wish to exterminate those who trade by skinning alive some poor animals. He merely wanted to close the Chinese factories that supply more than half of the fur garments for sale in the corrupt, deranged West. This is my response:

I am not the monster. Those who don’t harbor exterminationist fantasies are the moral Neanderthals compared to me.

Take as an example my recent posts on pre-Hispanic Amerinds. In the last one a disturbing possibility was raised by the author of an academic paper (take heed that this is an establishment source): Several Maya skulls show marks of sharp and unhealed cuts, particularly around the eye sockets, which suggests that some of these individuals might have been flayed before the sacrifice. The presence of women and children among these skulls mean that even they, not only mature men, might have suffered a horrible death, like what still happens today in the Chinese fur factories.

I usually don’t get comments on my pre-Columbian posts, perhaps because the unearthed data sheds light onto such ghastly history that it makes it difficult to digest. But if we dare to see that the same is happening today to some animals, the emergent individual who approaches these subjects can only see those who avoid it as intellectual cowards. Why? Because the whole subject of white survival depends upon regaining a self-image that puts whites above the other races from the moral—i.e., the development of empathy—standpoint, especially empathy toward women, children and our cousins, the animals.

After my previous post on Maya sacrifice I have read another academic paper in the book El Sacrificio Humano (28 authors), this one by Vera Tiesler and Andrea Cucina, a chapter with nine pages of bibliographical references of specialized literature. (*)

Tiesler and Cucina let us know that modern Mayanists are using, in addition to the Spanish chronicles and the iconographic evidence of pre-Columbian art, the science of taphonomy (analysis of skeletons) as tangible evidence of human sacrifice in the Maya civilization.

Maya-sac

On pages 199-200 the authors mention the techniques that the Maya used in their practices, now corroborated by taphonomy: the victim could have been shot by arrows or lapidated, his or her throat or nape could have been cut or broken, his or her heart could have been extracted either through the diaphragm or through the thorax; could have suffered multiple and fatal lacerations, or incinerated, disemboweled or skinned or dismembered. The body remains could have been eaten or used as trophies, or used in the manufacture of percussion instruments.

The authors deduce this by direct, physical evidence of the studied skeletons (or other remains) and they also mention a form of sacrifice that I had not heard of: the offering of human faces in the context of the influence on the Mayas by the Xipe Totec deity, “Our Lord the Flayed One,” who was widely worshipped at the north, in central Mexico.

Tiesler and Cucina also point out to other kind of physical evidence in the Maya civilization (that I already had mentioned in The Return of Quetzalcoatl): many skeletons with sacrificial marks have been found at the bottom of the cenotes of sacrifice. On page 206 they include the illustration of some Maya dignitaries showing off on their “uniforms” inverted heads such as the one I already added in my entry on pre-Columbia Oaxaca. The news is that a skeleton has been found of an individual showing on his thorax a human mask that hanged from his belt when he was alive.

On page 209 the authors let us know that the Mayas even sacrificed animals, and include an illustration of a jaguar surrounded in flames. They don’t say if the animal was alive when sacrificed; and on page 211 they tell of “an elevated percentage of child, adolescent and female victims whose cadavers used to be, also, the object of ritual manipulation.” In the same page appears a Maya depiction of a decapitated woman, and on page 215 a photo is reproduced of a perforated thorax suggesting that the body remains might have been used as manikins “with the objective of a terrifying display of institutional power.” They also suggest that the sacrifices might have been still performed long after the Spanish Conquest, albeit “clandestinely and increasingly resorting to animal substitutes.”

This makes my point beautifully. If you forbid a barbarous practice in a primitive race the violence will be displaced, not eradicated.

The sacrificial victims are now the animals. Remember my entry where I mentioned the case of recent torture of bunnies in Mexico? The reason why I speak with haughty contempt of non-exterminationists (“my moral inferiors”) is because they are afraid of taking their premises to their logical, commonsensical conclusion. It is not enough to close the Chinese skinning factories or the Mexican slaughter houses. To put an absolute end to such practices with no further displacement you got to wipe out the entire psychoclass behind such cruelties. (Cf. my views on psychohistory to grasp the meaning of the term “psychoclass” and also the last pages of Pierce’s The Turner Diaries.)


_______________

(*) “Sacrificio, Tratamiento y Ofrenda del Cuerpo Humano entre los Mayas Peninsulares,” in López Luján, Leonardo & Guilhem Olivier (2010): El Sacrificio Humano en la Tradición Religiosa Mesoamericana [Human Sacrifice in the Mesoamerican Religious Tradition]. Mexico City, Mexico: Instituto Nacional de Antropología e Historia (INAH) and Universidad Nacional Autónoma de México (UNAM), Instituto de Investigaciones Históricas. ISBN 978-607-484-076-6. OCLC 667990552. (Spanish)

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Currency crash Eschatology Third Reich Videos

Currency crash course, 5

Although Mike Maloney is afraid, like almost all westerners today (including quite a few white nationalists) of Hitler and his movement, I see this latest video of his course as the opening of a window of opportunity for us national socialists after the American dollar crashes in the near future.

Watch this video that mentions the rise of the Third Reich—but not as a warning, as Maloney sees it. Watch it as our best chance to pursue political change in both this continent and at the other side of the Atlantic (where they are also mistaking currency for real money).

Maloney didn’t read my previous entry on Liberalism by Yockey, of course. Although I see Austrian economists like Maloney as Cassandras insofar as they are accurately predicting the coming collapse, it goes without saying that I don’t endorse individualism in a capitalistic society, which easily leads to the worship of Mammon. However, this is not an entry to debunk libertarianism but to show how, as Maloney says at the very end of this episode, the Central Banks and even their think thanks “still don’t get it.”

(See also the four previous videos on the course:
Episode 1Episode 2Episode 3Episode 4.)

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Democracy Enlightenment Francis Parker Yockey Individualism Jean-Jacques Rousseau Liberalism Monarchy Philosophy of history Thomas Hobbes

Liberalism, 2

Imperium Eagle

This piece has been moved
to a single entry: here.

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Archeology Child abuse Human sacrifice Infanticide Mayas Pre-Columbian America

On pre-Hispanic Amerinds, 5

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In their article, “El Sacrificio Humano en la Parte Central del Área Maya”, pages 169-193 of El Sacrificio Humano en la Tradición Religiosa Mesoamericana, Stephen Houston and Andrew Scherer write:
 

Some examples [frescoes] of Piedras Negras, Guatemala, show a knife with knots of paper and a feathered plume of the sacrificial victim, with his heart possibly extracted, leaning over a bundle of paper for a burnt-offering.

The reduced size of the characters raises the possibility of youngsters or infants, whose breasts are opened more easily by its cartilaginous nature. There is a series of images on plates with infants whose breasts show a small cut on the heart (e.g., the famous dish of the Popol Vuh, K3395). But not all of them are representations. In 1985, as a member of Project Caracol in Belize, Stephen Houston excavated a reused crypt with at least twenty-five individuals, where he found the body of a newborn on top of a plate.

Incidentally, it is remarkable the presence of fire in scenes of children, such as in a mural of a jamb of Tohcok, Campeche, and another on Stela 3 of Yaxhá, Guatemala. The first image traces the shape of a body on an incendiary base, bundles of firewood with ajaw on the head, corresponding to the sign of the homes of the founders of dynasties, especially those related to the pre-eminent city of Teotihuacan.

The second image shows the remains of a human body on a plate supported by cross-shaped sticks. From above fall grains of incense, ch’aaj in the ch’olan language in most classical texts; from below clouds of fire raise up. Through the sign for “wood,” , inscribed next to the trait, it is indicated that the dish will also burn.

Maya vase K1645

A documented vase (K1645, above) by Justin Kerr explains the mythical context of these historical facts. Two supplicant characters, the first perhaps tied as a captive (at least placed in a very uncomfortable position), faces two “packages” with heads of gods, a scene that appears in other vessels, but with different dates and other companions. The verb “born” sihyaj suggests that Chahk, the rain god, and the so-called god of “Pax” are newborns. In the vase K1645 the supplicants are ch’ajoomtaak, “those who spread incense.” The first character carries the attributes of the ch’ajoom, “incense spreader,” even a distinctive headband and a dress of dry leaves.

Both supplicants offer to the enthroned figures an object named “his foot,” yook, perhaps referring to the wooden scaffolding that stands in the stela of Yaxhá. The link to the fires is made clear with the presence of the inflammatory base behind the scaffold. Unlike other sacrificed children, the infant appears to be alive [Chechar’s note: see image below].

poor-maya-kid

As in several Mesoamerican societies, the image of a supernatural act can function as a basic model for the dynastic rituals. There is a parallel in the evidence of the sacrifice by fire, a torture with fatal goals, applied by a god on the back of another…

The presence of infants over the plates, especially in contexts of way [Mayan word] or co-essences of Maya rulers, indicates that this is a special “food.” Usually, the way was very different food from the food of human beings, with emphasis on hands, eyes, bones, and in this case, the soft bodies of children.

[Above I excerpted passages from pages 170 to 173. Below there’s an excerpt from page 182, where the authors discuss other Maya sacrifices:]

The presence of women and children indicates that these individuals were not enemy combatants and strongly suggests a sacrificial context, though perhaps a sacrifice of wider political significance.

Several skulls of Colhá show marks of sharp and unhealed cuts, particularly around the eye sockets, which suggests that some of these individuals were flayed, either shortly before or after death. The skinning of the face supports the iconographic images of beheading showing substantial mutilation, particularly of the eyes. Although it is likely that much of this occurred post-mortem, we must ask whether at least some of these traumas were inflicted before death to maximize the suffering of those about to be executed.

____________________

Note: For my psychological interpretation of Maya and other Amerind cruelty, see The Return of Quetzalcoatl, a chapter of my book.

Categories
Blacks George Orwell Mainstream media

Mandela singing to kill whites

stamp-nelson-mandela

Nelson Mandela has died.

The first pages of the newspapers today are presenting him as an anti-racist champion.

But in this video, singing along with others a song in the Xhosa language, Mandela speaks on the necessity of killing whites.

Can you imagine a white leader who died yesterday and had sung in English on the necessity of killing blacks? Would he be presented as a “champion against racism” in our press?

As I recently said, whites are nuts—including the reporters who sang with Mandela in the above-linked video. Our world has reached the limit of Orwellian doublethink and millions of whites subscribe this process of Orwellian self-control of thought and anti-commonsense. They have become perfect goodthinkers before the current zeitgeist.

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Democracy Enlightenment Francis Parker Yockey Individualism Liberalism Philosophy of history René Descartes

Liberalism, 1

Imperium Eagle

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Emigration / immigration Videos

“Tolerance is genocide”

It surprises me that white genocide has been exposed in the ultra-liberal, anti-white Parliament of the European Union, even though for a short time.