From minute 40 to 43 Michael Kingsbury explains exactly what we have been saying this month: Whites need a very specific story, and Kingsbury wisely states which story should it be: a tragic story, like the Gulag that killed dozens of millions of whites.
Decades ago I was very naïve. I could not figure out why, in the middle of the Cold War, Kissinger and Nixon did not ask Hollywood to make films about the Gulag in order to win the cultural war that was already taking place in the West. I knew nothing about the Jewish question, let alone that whites were behaving like accomplices of the Jews. (Recall the phone call between Nixon and Billy Graham in which they worried that the media was controlled by Jewry but, from the presidential chair and the pulpit, they did nothing to solve the problem.)
Now I know that both Christians and secular whites are involved not only in the empowerment of Jewry, but in the internalisation of a foundation myth that diabolises the white race. What I did not understand in the past, times when I told people that the media feeds us with ‘a hundred films and documentaries about the Holocaust and zero about the Gulag’, I understand now.
Kingsbury is right in what he says, as I pointed out above, from the 40th to the 43rd minutes. That is why I place so much emphasis on Hellstorm, a true holocaust of Germans that even the so-called white nationalists in North America don’t want to see, apparently because those facts put their dear nation at the level of the USSR of Stalin.
The white man, compassionate by nature, must radically change the story he tells himself. And what better way that, instead of Game of Thrones fantasies, tell stories about real events of the 20th century: events that the System has been hiding for a century (according to Alexandr Solzhenitsyn, the Gulag system started in 1918 and ended a couple of years before the year I was born).
No one wanted to sponsor Kingsbury for his Gulag films. The three films he made were practically zero-budget movies. It reminds me the conditions in which I am also forced to work.