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Author: C .T.

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Egalitarianism Game of Thrones St Francis

High Sparrow

‘High Sparrow’ is the third episode of the fifth season of HBO’s fantasy television series Game of Thrones, and the 43rd overall.

In the novels, the left door at the entryway to the House of Black and White in Braavos is made of white weirwood, and the right side door is made of black ebony. The TV series reversed this for unknown reasons.

Once the interior of the House of Black and White is revealed in this episode, we see that what they did there is similar to what they did in the Home we saw in the 1973 film Soylent Green: to euthanize people who could no longer endure life. The difference is that the Home was an easy place to understand and without any mystery, while the House of Black and White, which is the size of a cathedral, is not only dark on the inside—it has no windows—but represents a dark religion, the cult of death.

There is not much to tell about what happens there, neither in this nor in subsequent episodes. I don’t know what Martin’s prose about the House of Black and White is like, but what we see on HBO doesn’t seem to have greater depth than the typical Hollywood movie, although those who haven’t seen the complete series are captivated by the mystery that surrounds that massive building.

Very far from Braavos we see the silhouette of Podrick on horseback, Brienne’s squire, after they spot Sansa down in the vast north.

Another thing that bothers about the series is the excessive cruelty of Ramsay, who with his father Roose Bolton rules the north. This morning I said something about Kubrick’s A Clockwork Orange but Ramsay is a lot worse than Alex. I don’t even want to recount Ramsay’s extremely sadistic sins in this or future episodes. They are visual and narrative excesses, unworthy of a healthy audience.

On the other hand, the story of the High Sparrow begins in this episode, albeit in another part of Westeros. I have always been fascinated by the figure because it reminds me of the 14th century Fraticelli that I’ve talked about on this site. The resemblance of them to the Woke religion of our day is astonishing, with the exception that today the metaphysical aspect has been left behind and we are left only with the axiological aspect of religion (that’s why we call it ‘secular Christianity’ or ‘neochristianity’).

I think it’s impossible to understand the secular religion that currently covers the West without understanding the figure of St. Francis of Assisi (1181-1226) and his late followers of the next century, especially the Dulcinians. For the common normie, a good way to get into the subject would be to watch the scenes of the Sparrows whose fanaticism begins in this episode. The arc of their leader, the High Sparrow who will die in the following season, is illustrative to understand the point of view of this site: how the ethics of the gospel was transmuted into the suicidal search for equality.

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Film Stanley Kubrick

Stanley Kubrick

In his recent review of Kubrick’s most disgusting film, under the pen name of Trevor Lynch, Greg Johnson said: ‘A Clockwork Orange is obscene in the literal sense of the word: it should not be watched’.

He is right. The film only shows that the most talented film director of his time, Stanley Kubrick, after his masterpiece 2001: A Space Odyssey made an extremely toxic film for the mental health of whites: a typical psyop of non-gentiles like him.

But the perennial problem is white people who consume these things greedily, to the point of having crap like this on their list of cult movies. Most Hollywood movies should be forbidden in the ethnostate but, alas, even some white nationalists love A Clockwork Orange, as can be seen in the comments section of Johnson’s webzine. What’s the difference between them and the degenerate fans of Game of Thrones?

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Feminism Game of Thrones

The House of Black and White

‘The House of Black and White’ is the second episode of the fifth season of HBO’s fantasy television series Game of Thrones, and the 42nd overall. We see the first absurdly feminist scene of the episode when Brienne, with the meagre help of her male squire, defeats several Littlefinger soldiers after speaking with Sansa in a tavern in the Vale.

The second feminist scene is even worse, and reminds me of my father’s abject codependency before my mother. Cersei manifests a vehement desire and Jaime will risk his life to fulfil it. The dynamic is typical: the female demands something and the male feels obliged to comply. Cersei ranks higher than her brother-lover Jaime at King’s Landing castle, as she is the mother of the king (and the people mustn’t know that Jaime is the real father of the king). So do men obey women that even in the city of Braavos, a sort of Venice in Martin’s world, Ternesio Terys takes Arya to the gates of the House of Black and White, the headquarters of the Faceless Men: where the young girl will be trained as a professional assassin.

Another toxic scene for the Aryan spirit is to see the blonde daughter of Cersei and Jaime strolling through the water gardens of Dorne with her fiancé: the swarthy Trystane Martell. Recall that in Martin’s world Dorne seems to have been inspired by Islamic culture.

The feminist scenes continue in Dorne. Ellaria Sand tells Prince Doran Martell that she and her daughters will avenge the death of Oberyn (killed in the previous season). Thus, it is women who have the initiative to start wars, or rescues like what Jaime will try in Dorne. Ellaria, who is not even a woman of noble birth, even threatens Prince Doran by asking him, extremely upset, the rhetorical question of how long will he reign. Just imagine a Muslim woman speaking like that to the Caliph of Baghdad!

Categories
China Miscegenation Racial right

Bloodraven’s cave

Brad Griffin, better known by his pen name Hunter Wallace, of whom I recently said a few things, has started a new series of articles where he says he’s disappointed with the movement. Yesterday and today he wrote two essays under the title ‘Der Movement’ (here and here). But what Wallace fails to see is that American racialists don’t understand that they’ll never win by playing by the rules and the cultural and economic roots of their country.

It seems to me magnificent that, after Charlottesville, the movement is confused and without daring to go out into the streets again. It is a good opportunity for an odyssey into inner space, into Bloodraven’s cave: an introspection and insight into ultimate questions, such as to question the worldview that led the white race to the darkest hour in the history of the West.

Imagine how absurd it would be to want to save the very few whites of Latin America without questioning the ideological DNA, or double helix, from which the Spanish and Portuguese conquered the Americas: the Catholicism of the Counter-Reformation and the search for gold and silver by bachelor soldiers instead of bringing the families of the Iberian Peninsula so that the conquest resembled what the Anglo-Germans of the north would do.

In other words: wanting to save the very few whites in Latin America without fighting to the death the Catholicism that allowed miscegenation, or the blind thirst for the exploitation of natural resources, would be folly. As folly as wanting to understand what is happening north of the Rio Grande without questioning the Protestantism that emerged from the Reformation, or Yankee capitalism.

The basic aetiology, or double helix, of the catastrophe of both the Anglo-Germans from the north and the Iberians from the south has been the same, with the difference that those from the south began interbreeding 500 years ago, and those from the north barely 50 years ago. Gold and Christianity, Mammon and whites worshiping the god of the Jews, have been the primary cause of the dark hour. This is so true that, even before the Jews took over the media, miscegenation had already been consummated in Latin America, and the American civil war to free the slaves had already been fought.

The obvious causes of Aryan decline are the Christian religion and a treacherous thirst for riches, but religion is the real perpetrator. While China currently adores Mammon, they are not so stupid as to import millions of foreigners while developing a vicious anti-racist ideology like the one that reigns today in the West. In other words, it is possible to be a degenerate Mammon worshiper in Asia and, in turn, refuse to mix their blood with foreigners.

If racialist whites weren’t so blind, the first thing they would do is investigate the causes of the suicidal zeitgeist that’s killing them. They would seize the opportunity the System gave them by cornering them back to their moms’ basements to rethink the matter and apostatise from the religion of mom who lives upstairs.

But neither Wallace nor those who comment on his blog or other racialist forums dare to question the god of the Jews. The price of not doing so is the extinction of their race. There lies the original virus that later mutated into the mental virus that destroys them today: a virus that has not infected the Chinese because they’ve never worshiped the enemy god.

Categories
Game of Thrones Homosexuality

The wars to come

‘The Wars to Come’ is the fifth season premiere episode of HBO’s fantasy television series Game of Thrones, and the 41st overall. It aired on April 12, 2015. It was in very bad taste in this 5th season premiere to film another homoerotic scene of Ser Loras. It seems as if the creators of the series did this on purpose to annoy us. But most annoying than those who control Hollywood is that white people consume these things greedily.

Outside of that scene there’s nothing to tell about this premiere, except to show how Tywin’s body lies in the Sept of Baelor before he is buried. Incidentally, in a future episode the man who will preside over the Sept, the High Sparrow, will explain to Jaime: ‘Do you know why we use these stones [placed on the eyes of the dead]? To remind us not to fear death. We close our eyes on this world and open them on the next’.

Yockey, Mason, Wallace

Hunter Wallace, who yesterday posted that thing about the resurrected Jew, whom American racists still adore, today posted:

National Socialists and Fascists – As the history of this blog shows, I have never had any interest in classical fascism or National Socialism. There have been people who have been trying to build a fascist or National Socialist movement in America as far back as the 1930s and they have never had any success with it for a variety reasons. The most important reason is that it is a foreign ideology and American culture has Anglo-Saxon roots. Americans are individualistic and dislike being organized. They don’t have a fascist temperament or even a strong and pervasive sense of ethnic identity. When Americans try to do fascism, they come across less as the historical National Socialists than as Americans.

Very true. But that can only mean that America is a failed culture. Let’s compare it to what James Mason wrote thirty-five years ago:

There is and always has been a Jewish Conspiracy ever since contact has existed between Jews and Europeans. I will say that no professional revolutionary can hope to be real unless he is fully familiar with each aspect of the Jewish Question. It is only part of his basic education. Again, it is but one factor among many and this is where the Movement has been failing for so long… And though the number of them directly involved in it condemns them by proportion to their total population, the Beast System is still basically manned and operated by renegade, sold-out Whites. What we are fighting has always been, and will always be, a sickness from within [italics in the original]…

This explains why the entire German nation had to be incinerated in the course of the War, why their entire government had to be murdered. It wasn’t just a man or a party, it was the whole country, or at least those elements that counted most. And so Hitler’s Movement was not the kooky, funny thing we see here in America today. It was truly representative of the will of the German people…

We’re talking about a very large body of people who have sold out, or, perhaps better put, have burnt out. With no vital signs left. Yet, to remove them would be to see the U.S. at an end. Not to remove them will be to see another Africa arise on the North American Continent. It is not so much a conspiracy as it is a head being out of touch with its body but yet striving to make certain that the body becomes as vile and perverse as the head, thus spelling doom for the entire organism… It must be death [emphasis in the original] to an entire strata of the population… and a new, fresh ruling elite established from the ranks of the natural peasantry or yeomanry, before that too has been eaten away from the inside out and nothing remains of it.

Those words appeared in Volume XV, # 3 of March 1986 of Mason’s collected newsletters. What Wallace and those who comment on Occidental Dissent ignore is that the United States must die, as an entire forest dies after a very great fire, so that the new shoots sprout from the ashes: a new forest that has nothing to do with either Christianity or the US infatuation for Mammon, as Yockey put it in his own transvaluation of American values back to old European values.

America delenda est.

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PDF backup

WDH – pdf 382

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Feminism Game of Thrones Sexual degeneracy

The Children

‘The Children’ is the fourth season finale of HBO’s fantasy television series Game of Thrones, and the 40th overall. It was written by series co-creators David Benioff and D. B. Weiss, and directed by Alex Graves.

The first surreal scene of the episode opens with an argument between Tywin and his daughter Cersei, who told her father the truth about her incestuous relationship with Jaime. Then she goes to Jaime and confesses that she has just confessed the truth to their father. The drama was caused because Cersei didn’t want to separate from her son, thus prioritising her maternal instincts over her obligation to remarry.

The unreal thing about the plot is that there is no record of highborn women throwing these tantrums, not marrying an immensely wealthy man joining the richest Houses of Westeros, disobeying the father. The feminist message is obvious. And the worst thing is that stupid Jaime plays along with her sister-lover, allowing himself to be seduced instead of hating her when she has just instigated the court to execute their brother, Tyrion, of whom Tywin says that he would be executed the next day. All those feminist scenes should make the white man nauseous. But Jaime even fucks her in front of the cameras on a table.

Finally, Bran and those who help him reach their destination far north of the Wall (click on the image to see the details), where they would meet the Children of the Forest. It is a pity that the writers and the director have spoiled the next scene with absurd violence emerging from the snow that had nothing to do with the spirit of that arrival at the most mysterious place in Martin’s novels. Whoever lives in the labyrinthine cave under the weirwood tree is a mummified man, although he is alive. This is how he appears in Martin’s prose rather than how he was filmed in various HBO seasons.

On the other side of the Wall we see another feminist scene. After her knight-errant duties, Brienne finds Arya in the Vale and tells her that her father taught her to use the sword. A conversation ensues in which they tell each other that neither of their respective fathers originally wanted to train them in the martial arts, but they yielded after the girls’ insistence.

We then see the scene where Brienne defeats the much-feared Hound in single combat. The viewers swallowed the whole scene without questioning its historical accuracy, as this type of sexual inversion against the best fighters of a kingdom didn’t occur in the Middle Ages (or even in our times).

The final scene of the season, after Tyrion killed Tywin, becomes unreal again. Arya, now freed from the Hound, gets a free raid to Braavos through the sea in search of adventure. We can already imagine what would sexually happen in the Middle Ages to a pretty teenage girl who tried to travel half the world without male company.

Categories
Jesus

The Big Jew

‘Happy Easter! He is risen indeed!’—you can read in the last article published by Occidental Dissent (snapshot: here), one of the places where I discovered white nationalism more than ten years ago. I wonder how many among those nationalists have read Carrier’s book or at least listened to his lectures on YouTube?

Categories
Feminism Game of Thrones

The watchers on the Wall

‘The Watchers on the Wall’ is the ninth and penultimate episode of the fourth season of HBO’s fantasy television series Game of Thrones, and the 39th overall.

The episode begins with one of those typical reversals of sexual reality. Conversing on a cold night between bonfires very close to the Wall, Ygritte tells another of the band of wildlings that she had killed more people in Mole’s Town than him: a tough warrior who is even a cannibal. And worst of all, just as male warriors fight verbally in camps, after the cannibal says unkind things to Ygritte, she gets up and confronts him even though the sturdy cannibal is much taller than the very slim woman.

We then see a conversation about love and women in the Castle Black library between Sam and Aemon.

Aemon is the Maester at Castle Black and the most important advisor in the Night’s Watch. (The actor who played Aemon’s character died at ninety-three in December 2016, which means that he didn’t get to see the last seasons.) He was born Aemon Targaryen and was the last known Targaryen in Westeros. He is the great-uncle of Dany and, unbeknownst to him, the great-great uncle of Jon Snow. Aemon’s origins have long been forgotten by most, as he remained dedicated to his vows as a Maester and a brother of the Night’s Watch for many decades.

The rest of the episode lacks scenes for this critique of feminism, although they had to film the moment when Ygritte died in the arms of Jon Snow during their failed assault on Castle Black. What old Aemon could have said to Sam about love and women would have been far more interesting than this typical cheesy Hollywood scene.